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Unfortunately they invariably end up in the cutting room floor due to the fact that they have utterly nothing to do with the film whatsoever or end up heavily edited down for the sake of keeping the integrity of the film. We literally have hours of footage cumulated over the past year and a half since we kick started this hobby back in ’07. It would seem such a shame to simply throw them away and forget about them.

Fret not! For there is another way to display these clips. What you’re about to see is a simple collection of two outtakes from The Undead Wore Red which features one of those classic Piratehelm moments when she’s behind camera. This will hopefully start off a new series of short clips that have captured the random goings on of your typical Gifted Babies production that both our viewers ( hi Mum! )  have missed out on upon earlier viewings.

Gold.

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Filming started yesterday, 21st of March in the convenient apartment location which has made an appearance in less than 5 films already, luckily this time it will only be featured in the first 2 minutes of the short film. Shooting started shortly at half 3 and wrapped it up at 6, plenty of photos were taken at the scene of the crime and hopefully we’ll have them up soon. Filming commenced today ( 22nd March ) starting from 2 and finishing shortly after 6, fewer photos taken this time but at least we filmed it at Hodrum’s residence much to the behest of his dogs who weren’t used to such “ruff” treatment. So far we are approximately 3 – 4 minutes into the film, I reckon we have half of it done and that’s discounting possible ( or probable )  re-shoots, cutaways and inserts. But overall it’s been a fairly productive process, with an expanded film crew,  a set of new toys ( shotgun mic, boom poles and a portable digital recorder ) and Cethan’s newfound ability to pretend to act in front of the camera,  it should be a step up from the previous Gifted Babies production, Cork Christmas Carol and that other film.

Speaking of that other film, Milton Murder Mystery Part 2 is currently in the works and hopefully will be released by the end of the week once I find the will to finish it, it’s only unfortunate that I misplaced that somewhere in a field in Millstreet.

And speaking of time traveling houses, a new Cethan Leahy story titled “The House That Tripped Through Time” has entered preproduction, borrowing some of the good  elements of an imaginary John Carpenter film about time travelling houses, this will be guaranteed to be Cethan’s second Magnum Opus, or just plain chocolate icecream if not.

Watch this space for more news and info … ruff

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The Zombie Murder Mystery

Currently our project is in the pre-production stage. There is some delay on providing release dates as our team is currently involved in separate individual projecs. The script is in the process of being finalised and the roles have already been cast. Hopefully we should be ‘shooting this shit’ by mid april! Several attempts will be made to move toward new effects and camera ‘wizardry’. Fingers crossed.

P.

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As stated from the blog post made on the 23rd December, a re-edited version of the Cork Christmas Carol would be released. Here’s the embed link:

Differences:

  • A new narration was recorded. It was an attempt at a Brian Blessed impersonation gone Patrick Stewart.
  • Re-edited title sequence, shortened and doesn’t feature “The Gifted Babies proudly present”, added new credits.
  • Improved audio mixing, music volume is lowered in some parts, new sounds are added and the audio in some parts of the film have been run through a denoise filter.
  • Video now displays at the correct aspect ratio ( 16:9 )
  • Added blur filter, contrast adjustments and a denoise filter ( Mplayer’s hqdn3d ) on some parts of the footage.
  • Added end credits and slapped a Creative Common License at the end.
  • Added a new snow matte ( North Main Street ) as well as made adjustments to enlarge the projected area of the other snow mattes.
  • Fake High Definition video, enlarged to 1280*720 using Lanczos formula.
  • Lengthened ending snowfall animation.
  • The fact that I edited the film is only mentioned once.

Does this greatly improve the experience of the film? Course not, these can be viewed as minor adjustments that I had to overlook prior to releasing the first edition due to timing constraints. After all who would release a Christmas film in early January? Unfortunately in the editing process, there’s no such thing as a quick polish ( the action itself, not people from Poland ).

3rd edition coming out in for the 25th Anniversary in 2033, in this version Wesley Whines will shoot first.

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Still rough around some areas but the Cork Christmas Carol is online. There’s a few things that I intend on fixing when I’m back in Cork but for the most part it will remain mostly the same( Update! You can watch that version from this link ). I’m surprised we managed to get this far in a space of 5 days although I spent the last two days constantly editing but hardly getting any sleep ( 1 hour for the past 48 hours ) so I’m going to keep the post fairly short. Hope you enjoy the film and happy Christmas.

Update: No video! I’ve decided to set the video to private. The 2nd edition is virtually identical except features improved audio and some tighter cuts.

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And it’s a wrap. We just finished the opening scene now it’s a simple matter of condensing two hours of footage into a 5 minute film for the next two days. Oh the joy.itsawrap1

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So slightly later than planned we first started the principle photography with actors on the 18th as opposed to the 17th, as one of our actors was unavailable at the time. So 18th the shoot went fairly well, we’ve decided to start straight into the middle of the film which proved to be an interesting experience because it required us to shoot an eating scene, as film making is a much slower process than cooking unfortunately. So imagine the rigorous torture for the three very hungry actors who weren’t allowed to eat or about an hour just because all that food had to be set up and used as props for film. An important lesson was learnt that day, never ever put the catering into film.

So the shoot started roughly from seven and finished at one in the morning but we still need to get back and add a few more little scenes. I was glad we got to use the cheap clapper board we bought the week before, not becuase it adds to the production value but it’s highly amusing to watch in editing :). Unfortunately we didn’t have the clapper board for the shoot for the following day. Today’s shoot was the final scene of the film, because Cethan’s house isn’t as brightly lit in some parts there’s quite a bit of grain added to the footage as well as flicker, it’s an unfortunate short coming with the Canon GL2. Thankfully the scene was short enough and two of the actors had to leave early enough so we managed to complete the shoot before they had to leave and we were done earlier than usual.

So that leaves the film largely done, we’re aiming to get some of Cethan’s scenes shot in the streets of Cork tomorrow and then wrap up on Sunday ( 21st ) followed by 2 or 3 days of editing though not quite as intense as the other project because I’m pretty sure I don’t have to catch much in editing. We’re well on way to having it done by the 23rd it seems.

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Bought a neat tripod from the Sony shop in Patrick Street, it’s a Hahnel Triad 50 in case anyone was wondering. I’m no expert with tripods but suggesting from the prices of tripods with similar builds I’ve seen in camera shops, it’s pretty much a steal with a price tag of 60 Euros. It’s a great replacement for the other yoke I used for the past 4 years, which was fine to use with my digital camera but not with a prosumer camcorder which would be the equivalent to horse riding a cat. So expect smooth panning shots in CCC, if there is gonna be any. I have a feeling our shoot will become 17% percent easier with it.

I’ve been running around Cork again taking pictures of the city with Tom’s Finepix camera and some of the photos have turned out really well.

You’ll be seeing the images in the title sequence and used to depict areas in Cork featuring snow. Speaking of which, I’m working on the snow animation at the moment. There is already a useful method of adding snow to a scene but snowfall is a different matter. I’m coming across a few interesting obstacles that I’m working on at the moment such as object occlusion, hopefully I’ll have it figured out shortly before the principle photography is completed. We’re going to cut down on the Special FX due to time constraints, so I’m leaving Camera Mapping out of this, I took a few snaps of Cork City from Shandon tower but it’s far too tedious to map out every object in 3D with these images, though I might look into it again in the not too distant future.

Shooting is starting very soon, we’ve already made some changes to the script and because of time constraints we’ve cut some parts of out of the script yet maintaining the crux of the story. The first thing we’re going to shoot is the 2nd scene which starts off with a story transition from the miser to another person whom we follow for the rest of the story. My next post will be about that shoot so check back in 24 hours.

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